BRYAN CAPLAN
May 7, 2013
Keynesian Bets: What's Out There
May 6, 2013
Keynesian Bets Bleg
May 6, 2013
The Pyramid of Macroeconomic Insight and Virtue
May 2, 2013
A Natalist Provision
May 1, 2013
I Was a Teenage Misanthrope
DAVID HENDERSON
May 5, 2013
John Thacker on Vaccinations and the Sequester
May 3, 2013
Chef Rudy's Virtues Project
May 2, 2013
My take on Reinhart and Rogoff
May 1, 2013
Medicare Kills a Program


They're probably still going to do it at the Met in NYC next spring. I have no idea what the ticket availability is though.
Yo, Caplan,
Next time, could you flag this with "SPOILER ALERT"?!
:-)
--Colin
Well, yeah. Opera and ballet are largely supported in this country by private donations by the affluent (very few to zero opera companies survive on ticket sales alone). If the stock market crash makes the affluent less likely to cut a charitable check— or as generous a check as in previous years— , ambitious new productions will suffer. The lead time for opera productions is long, yes, but AFAIK most of the budget isn't raised at the beginning, but is raised (and spent) as it goes along.
I work for a business that paints scenery for opera and ballet companies, FWIW.
I'll raise you another economic hypothesis. What we've noticed is that business often seems slower in Presidential election years, regardless of macroeconomic conditions. Is it that affluent are substituting one form of signaling for another (donations to Obama rather than Aida, McCain rather than MacBeth)? Or that just time itself drags during an electoral campaign?